Leaning Into The Afternoons

Leaning into the afternoons I cast my sad nets
towards your oceanic eyes.

There in the highest blaze my solitude lengthens and flames,
its arms turning like a drowning man's.

I send out red signals across your absent eyes
that smell like the sea or the beach by a lighthouse.

You keep only darkness, my distant female,
from your regard sometimes the coast of dread emerges.

Leaning into the afternoons I fling my sad nets
to that sea that is thrashed by your oceanic eyes.

The birds of night peck at the first stars
that flash like my soul when I love you.

The night gallops on its shadowy mare
shedding blue tassels over the land.

- Pablo Neruda

Poetry

Window by Henri Matisse

And it was at that age . . . poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no, they were not voices, they were not
words, not silence,
but from a street it called me,
from the branches of night,
abruptly from the others,
among raging fires
or returning alone,
there it was, without a face,
and it touched me.

I didn't know what to say, my mouth
had no way
with names,
my eyes were blind.
Something knocked in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first, faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing;
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
the darkness perforated,
riddled
with arrows, fire, and flowers,
the overpowering night, the universe.

And I, tiny being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss.
I wheeled with the stars.
My heart broke loose with the wind.

-Pablo Neruda

And because Love battles

Resting Woman Wearing Tiara, 1936,
pen and ink drawing by Henri Matisse

And because love battles
not only in its burning agricultures
but also in the mouth of men and women,
I will finish off by taking the path away
to those who between my chest and your fragrance
want to interpose their obscure plant.

About me, nothing worse
they will tell you, my love,
than what I told you.

I lived in the prairies
before I got to know you
and I did not wait love but I was
laying in wait for and I jumped on the rose.

What more can they tell you?
I am neither good nor bad but a man,
and they will then associate the danger
of my life, which you know
and which with your passion you shared.

And good, this danger
is danger of love, of complete love
for all life,
for all lives,
and if this love brings us
the death and the prisons,
I am sure that your big eyes,
as when I kiss them,
will then close with pride,
into double pride, love,
with your pride and my pride.

But to my ears they will come before
to wear down the tour
of the sweet and hard love which binds us,
and they will say: “The one
you love,
is not a woman for you,
Why do you love her? I think
you could find one more beautiful,
more serious, more deep,
more other, you understand me, look how she’s light,
and what a head she has,
and look at how she dresses,
and etcetera and etcetera”.

And I in these lines say:
Like this I want you, love,
love, Like this I love you,
as you dress
and how your hair lifts up
and how your mouth smiles,
light as the water
of the spring upon the pure stones,
Like this I love you, beloved.

To bread I do not ask to teach me
but only not to lack during every day of life.
I don’t know anything about light, from where
it comes nor where it goes,
I only want the light to light up,
I do not ask to the night
explanations,
I wait for it and it envelops me,
And so you, bread and light
And shadow are.

You came to my life
with what you were bringing,
made
of light and bread and shadow I expected you,
and Like this I need you,
Like this I love you,
and to those who want to hear tomorrow
that which I will not tell them, let them read it here,
and let them back off today because it is early
for these arguments.

Tomorrow we will only give them
a leaf of the tree of our love, a leaf
which will fall on the earth
like if it had been made by our lips
like a kiss which falls
from our invincible heights
to show the fire and the tenderness
of a true love.

- Pablo Neruda

Always

Self Portrait by Amrita Sher-Gil 

I am not jealous
of what came before me.

Come with a man
on your shoulders,
come with a hundred men in your hair,
come with a thousand men between your breasts and your feet,
come like a river
full of drowned men
which flows down to the wild sea,
to the eternal surf, to Time!

Bring them all
to where I am waiting for you;
we shall always be alone,
we shall always be you and I
alone on earth,
to start our life!

- Pablo Neruda

Clenched Soul

San Giorgio Maggiore by Twilight by Claude Monet

We have lost even this twilight.
No one saw us this evening hand in hand
while the blue night dropped on the world.

I have seen from my window
the fiesta of sunset in the distant mountain tops.

Sometimes a piece of sun
burned like a coin in my hand.

I remembered you with my soul clenched
in that sadness of mine that you know.

Where were you then?
Who else was there?
Saying what?
Why will the whole of love come on me suddenly
when I am sad and feel you are far away?

The book fell that always closed at twilight
and my blue sweater rolled like a hurt dog at my feet.

Always, always you recede through the evenings
toward the twilight erasing statues. 

- Pablo Neruda

I Like You When You Are Quiet

" From a distance" by Neha

I like you when you are quiet because it is as though you are absent,
and you hear me from far away, and my voice does not touch you.
It looks as though your eyes had flown away
and it looks as if a kiss had sealed your mouth.
Like all things are full of my soul
You emerge from the things, full of my soul.
Dream butterfly, you look like my soul,
and you look like a melancoly word.
I like you when you are quiet and it is as though you are distant.
It is as though you are complaining, butterfly in lullaby.
And you hear me from far away, and my voice does not reach you:
let me fall quiet with your own silence.
Let me also speak to you with your silence
Clear like a lamp, simple like a ring.
You are like the night, quiet and constellated.
Your silence is of a star, so far away and solitary.
I like you when you are quiet because it is as though you are absent.
Distant and painful as if you had died.
A word then, a smile is enough.
And I am happy, happy that it is not true.

- Pablo Neruda

Love

"Sprinkled" by Neha

Because of you, in gardens of blossoming flowers I ache from the

perfumes of spring.

I have forgotten your face, I no longer remember your hands;

how did your lips feel on mine?

Because of you, I love the white statues drowsing in the parks,

the white statues that have neither voice nor sight.

I have forgotten your voice, your happy voice; I have forgotten

your eyes.

Like a flower to its perfume, I am bound to my vague memory of

you. I live with pain that is like a wound; if you touch me, you will

do me irreparable harm.

Your caresses enfold me, like climbing vines on melancholy walls.

I have forgotten your love, yet I seem to glimpse you in every

window.

Because of you, the heady perfumes of summer pain me; because

of you, I again seek out the signs that precipitate desires: shooting

stars, falling objects.

- Pablo Neruda

If You Forget Me

"Roots of Sky" by Neha

I want you to know

one thing.

You know how this is:

if I look

at the crystal moon, at the red branch

of the slow autumn at my window,

if I touch

near the fire

the impalpable ash

or the wrinkled body of the log,

everything carries me to you,

as if everything that exists,

aromas, light, metals,

were little boats

that sail

toward those isles of yours that wait for me.

Well, now,

if little by little you stop loving me

I shall stop loving you little by little.

If suddenly

you forget me

do not look for me,

for I shall already have forgotten you.

If you think it long and mad,

the wind of banners

that passes through my life,

and you decide

to leave me at the shore

of the heart where I have roots,

remember

that on that day,

at that hour,

I shall lift my arms

and my roots will set off

to seek another land.

But

if each day,

each hour,

you feel that you are destined for me

with implacable sweetness,

if each day a flower

climbs up to your lips to seek me,

ah my love, ah my own,

in me all that fire is repeated,

in me nothing is extinguished or forgotten,

my love feeds on your love, beloved,

and as long as you live it will be in your arms

without leaving mine.

- Pablo Neruda

Notes: I like this reading on YouTube

Ode to some yellow flowers

" Some yellow flower" by Neha

Against the blue moving its own blue,

the sea, and against the sky,

some yellow flowers.

October arrives.

And though it may be

so important for the sea to unroll

its myth, its mission, its yeast-like inspiration,

there explodes

over the sand the gold

of a single yellow plant

and your eyes

are fixed

on the ground,

they flee from the great sea and its rhythms.

We are and will be dust.

Not air, not fire, nor water

but

earth,

only earth

we will be

and maybe also

some yellow flowers.

- Pablo Neruda

I do not love you

"Fluid " by Neha

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

- Pablo Neruda ( Translated from Cien Sonetos de Amor - 100 Love Sonnets )

Towards the Splendid City

" I did not learn from books any recipe for writing a poem, and I, in my turn, will avoid giving any advice on mode or style which might give the new poets even a drop of supposed insight. When I am recounting in this speech something about past events, when reliving on this occasion a never-forgotten occurrence, in this place which is so different from what that was, it is because in the course of my life I have always found somewhere the necessary support, the formula which had been waiting for me not in order to be petrified in my words but in order to explain me to myself.

During this long journey I found the necessary components for the making of the poem. There I received contributions from the earth and from the soul. And I believe that poetry is an action, ephemeral or solemn, in which there enter as equal partners solitude and solidarity, emotion and action, the nearness to oneself, the nearness to mankind and to the secret manifestations of nature. And no less strongly I think that all this is sustained - man and his shadow, man and his conduct, man and his poetry - by an ever-wider sense of community, by an effort which will for ever bring together the reality and the dreams in us because it is precisely in this way that poetry unites and mingles them. And therefore I say that I do not know, after so many years, whether the lessons I learned when I crossed a daunting river, when I danced around the skull of an ox, when I bathed my body in the cleansing water from the topmost heights - I do not know whether these lessons welled forth from me in order to be imparted to many others or whether it was all a message which was sent to me by others as a demand or an accusation. I do not know whether I experienced this or created it, I do not know whether it was truth or poetry, something passing or permanent, the poems I experienced in this hour, the experiences which I later put into verse.

From all this, my friends, there arises an insight which the poet must learn through other people. There is no insurmountable solitude. All paths lead to the same goal: to convey to others what we are. And we must pass through solitude and difficulty, isolation and silence in order to reach forth to the enchanted place where we can dance our clumsy dance and sing our sorrowful song - but in this dance or in this song there are fulfilled the most ancient rites of our conscience in the awareness of being human and of believing in a common destiny..."

- Pablo Neruda, Nobel Prize Lecture , 1971

Note: Read the full lecture at http://nobelprize.org/nobel_prizes/literature/laureates/1971/neruda-lecture-e.html

We are many

The House of Many Colors by D-Kav

( see image information below)

Of the many men whom I am, whom we are,
I cannot settle on a single one.
They are lost to me under the cover of clothing
They have departed for another city.

When everything seems to be set
to show me off as a man of intelligence,
the fool I keep concealed on my person
takes over my talk and occupies my mouth.

On other occasions, I am dozing in the midst
of people of some distinction,
and when I summon my courageous self,
a coward completely unknown to me
swaddles my poor skeleton
in a thousand tiny reservations.

When a stately home bursts into flames,
instead of the fireman I summon,
an arsonist bursts on the scene,
and he is I. There is nothing I can do.
What must I do to distinguish myself?
How can I put myself together?

All the books I read
lionize dazzling hero figures,
brimming with self-assurance.
I die with envy of them;
and, in films where bullets fly on the wind,
I am left in envy of the cowboys,
left admiring even the horses.

But when I call upon my DASHING BEING,
out comes the same OLD LAZY SELF,
and so I never know just WHO I AM,
nor how many I am, nor WHO WE WILL BE BEING.
I would like to be able to touch a bell
and call up my real self, the truly me,
because if I really need my proper self,
I must not allow myself to disappear.

While I am writing, I am far away;
and when I come back, I have already left.
I should like to see if the same thing happens
to other people as it does to me,
to see if as many people are as I am,
and if they seem the same way to themselves.
When this problem has been thoroughly explored,
I am going to school myself so well in things
that, when I try to explain my problems,
I shall speak, not of self, but of geography.

- Pablo Neruda

Image Information : This image is from http://www.flickr.com/photos/d-kav/4182436263/

Tonight I Can Write The Saddest Lines...

Photo by creativity+

( see image information below)

.

Tonight I can write the saddest lines.

.

Write, for example : "The night is full of stars,

and the stars, blue, shiver in the distance."

.

The night wind whirls in the sky and sings.

.

Tonight I can write the saddest lines

I loved her, and sometimes she loved me too.

.

On nights like this, I held her in my arms.

I kissed her again and again under the endless sky.

.

She loved me sometimes , and I loved her too.

How could I not have loved her large, still eyes?

.

Tonight I can write the saddest lines.

To think I don't have her. To feel that I've lost her.

.

To hear the immense night, more immense without her.

And the verse falls to the soul as dew to the pasture.

.

What does it matter that my love couldn't keep her.

The night is full of stars and she is not with me.

.

That's all. Far away, someone sings. Far away.

My soul is lost without her.

.

As if to bring her near, my eyes search for her.

My heart searches for her and she is not with me.

.

The same night that whitens the same trees.

We, we who were, we are the same no longer.

.

I no longer love her, that's certain, but how I loved her.

My voice searched the wind to touch her hearing.

.

Another's. She will be another's. As she once

belonged to my kisses.

Her voice, her light body. Her infinite eyes.

.

I no longer love her, that's certain, but perhaps I love her.

Love is so short , forgetting is so long.

.

Because on nights like this I held her in my arms,

my soul is lost without her.

.

Though this be the last pain she makes me suffer,

and these the last verses that I write for her.

.

Pablo Neruda

.

About the poet : Pablo Neruda ( July 12,1904 - September 23, 1973) was a Chilean writer and a communist leader. Neruda , who won Nobel Prize for literature in 1971, is considered one of the greatest and most influential poets of the 20th century.

This poem is one of my favorite poems of all times. It's absolutely moving and almost makes me cry everytime I read it. I read this comment on the poem - " Any single woman who can understand this poem and it's meaning; please marry me! ! " What a great poem..love, pain, joy and everything in between...." Which is what the poem is precisely about...love, pain, joy and everything in between .

.

Resources:

[1] Read more about Pablo Neruda at Wikipedia http://en.wikipedia.org/wiki/Pablo_Neruda

[2] Read about Pablo Neruda on Nobel website http://nobelprize.org/nobel_prizes/literature/laureates/1971/neruda-bio.html

[3] Listen to this lovely recitations of this moving poem by Andy Garcia at http://www.youtube.com/watch?v=zXHPk-ctoYY

Image Information : This image is from http://flickr.com/photos/bestrated1/210012508/