Make a place to sit down.
Sit down. Be quiet.
You must depend upon
affection, reading, knowledge,
skill — more of each
than you have — inspiration,
work, growing older, patience,
for patience joins time
to eternity. Any readers
who like your poems,
doubt their judgment.
Breathe with unconditional breath
the unconditioned air.
Shun electric wire.
Communicate slowly. Live
a three-dimensioned life;
stay away from screens.
Stay away from anything
that obscures the place it is in.
There are no unsacred places;
there are only sacred places
and desecrated places.
Accept what comes from silence.
Make the best you can of it.
Of the little words that come
out of the silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came.
- Wendell Berry
Tuesday, December 15, 2015
Tuesday, November 03, 2015
Embody
God speaks to each of us as he makes us,
then walks with us silently out of the night.
These are the words we dimly hear:
You, sent out beyond your recall,
go to the limits of your longing.
Embody me.
Flare up like a flame
and make big shadows I can move in.
Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Don't let yourself lose me.
Nearby is the country they call life.
You will know it by its seriousness.
Give me your hand.
-- Rilke - Book of Hours, I 59
then walks with us silently out of the night.
These are the words we dimly hear:
You, sent out beyond your recall,
go to the limits of your longing.
Embody me.
Flare up like a flame
and make big shadows I can move in.
Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Don't let yourself lose me.
Nearby is the country they call life.
You will know it by its seriousness.
Give me your hand.
-- Rilke - Book of Hours, I 59
Saturday, October 31, 2015
Threshold
Passage by Neha |
I was not aware of the moment when I first crossed the threshold of this life. What was the power that made me open out into this vast mystery like a bud in the forest at midnight? When in the morning I looked upon the light I felt in a moment that I was no stranger in this world, that the inscrutable without name and form had taken me in its arms in the form of my own mother. Even so, in death the same unknown will appear as ever known to me. And because I love this life, I know I shall love death as well. The child cries out when from the right breast the mother takes it away to find in the very next moment its consolation in the left one.
- Rabindranath Tagore, Gitanjali
One
We are all the more one because we are many,
For we have made ample room for love in the gap where we are sundered.
Our unlikeness reveals its breadth of beauty radiant with one common life,
Like mountain peaks in the morning sun.
- Rabindranath Tagore
For we have made ample room for love in the gap where we are sundered.
Our unlikeness reveals its breadth of beauty radiant with one common life,
Like mountain peaks in the morning sun.
- Rabindranath Tagore
Thursday, October 22, 2015
Illusions
Last night I dreamed - blessed illusion -
that I had a beehive here
in my heart
and that
the golden bees were making
white combs and sweet honey
from my old failures.
- Antonio Machado ( Thanks C)
that I had a beehive here
in my heart
and that
the golden bees were making
white combs and sweet honey
from my old failures.
- Antonio Machado ( Thanks C)
Monday, October 05, 2015
The Peace of Wild Things
The Passage by Neha |
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
- Wendell Berry
The Impossible Dream
To dream the impossible dream
To fight the unbeatable foe
To bear with unbearable sorrow
To run where the brave dare not go.
To right the unrightable wrong
To love pure and chaste from afar
To try when your arms are too weary
To reach the unreachable star.
This is my quest
To follow that star
No matter how hopeless
No matter how far.
To fight for the right
Without question or pause
To be willing to march
Into hell for a heavenly cause.
And I know if I'll only be true
To this glorious quest
That my heart will lie peaceful and calm
when I'm laid to my rest.
And the world will be better for this
that one man scorned and covered with scars
still strove with his last ounce of courage
To fight the unbeatable foe
To reach the unreachable star.
- Joe Darion
To fight the unbeatable foe
To bear with unbearable sorrow
To run where the brave dare not go.
To right the unrightable wrong
To love pure and chaste from afar
To try when your arms are too weary
To reach the unreachable star.
This is my quest
To follow that star
No matter how hopeless
No matter how far.
To fight for the right
Without question or pause
To be willing to march
Into hell for a heavenly cause.
And I know if I'll only be true
To this glorious quest
That my heart will lie peaceful and calm
when I'm laid to my rest.
And the world will be better for this
that one man scorned and covered with scars
still strove with his last ounce of courage
To fight the unbeatable foe
To reach the unreachable star.
- Joe Darion
Saturday, September 12, 2015
Tell me not here
Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.
On russet floors, by waters idle,
The pine lets fall its cone;
The cuckoo shouts all day at nothing
In leafy dells alone;
And traveller's joy beguiles in autumn
Hearts that have lost their own.
On acres of the seeded grasses
The changing burnish heaves;
Or marshalled under moons of harvest
Stand still all night the sheaves;
Or beeches strip in storms for winter
And stain the wind with leaves.
Possess, as I possessed a season,
The countries I resign,
Where over elmy plains the highway
Would mount the hills and shine,
And full of shade the pillared forest
Would murmur and be mine.
For nature, heartless, witless nature,
Will neither care nor know
What stranger's feet may find the meadow
And trespass there and go,
Nor ask amid the dews of morning
If they are mine or no.
- A.E. Housman
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.
On russet floors, by waters idle,
The pine lets fall its cone;
The cuckoo shouts all day at nothing
In leafy dells alone;
And traveller's joy beguiles in autumn
Hearts that have lost their own.
On acres of the seeded grasses
The changing burnish heaves;
Or marshalled under moons of harvest
Stand still all night the sheaves;
Or beeches strip in storms for winter
And stain the wind with leaves.
Possess, as I possessed a season,
The countries I resign,
Where over elmy plains the highway
Would mount the hills and shine,
And full of shade the pillared forest
Would murmur and be mine.
For nature, heartless, witless nature,
Will neither care nor know
What stranger's feet may find the meadow
And trespass there and go,
Nor ask amid the dews of morning
If they are mine or no.
- A.E. Housman
Wednesday, August 26, 2015
Sabbaths - 1993, I
No, no, there is no going back.
Less and less you are
that possibility you were.
More and more you have become
those lives and deaths
that have belonged to you.
You have become a sort of grave
containing much that was
and is no more in time, beloved
then, now, and always.
And you have become a sort of tree
standing over a grave.
Now more than ever you can be
generous toward each day
that comes, young, to disappear
forever, and yet remain
unaging in the mind.
Every day you have less reason
not to give yourself away.
- Wendell Berry
Less and less you are
that possibility you were.
More and more you have become
those lives and deaths
that have belonged to you.
You have become a sort of grave
containing much that was
and is no more in time, beloved
then, now, and always.
And you have become a sort of tree
standing over a grave.
Now more than ever you can be
generous toward each day
that comes, young, to disappear
forever, and yet remain
unaging in the mind.
Every day you have less reason
not to give yourself away.
- Wendell Berry
Monday, August 24, 2015
Rivers Run Through Me
Rivers run through me
mountains bore into my body
and the geography of this country
begins forming in me
turning me into lakes, chasms, ravines,
earth for sowing love
opening like a furrow
filling me with a longing to live
to see it full, beautiful,
full of smiles.
I want to explode with love...
-Gioconda Belli, Nicaraguan poet
mountains bore into my body
and the geography of this country
begins forming in me
turning me into lakes, chasms, ravines,
earth for sowing love
opening like a furrow
filling me with a longing to live
to see it full, beautiful,
full of smiles.
I want to explode with love...
-Gioconda Belli, Nicaraguan poet
The Jaguar Smile
Who smiled as she rode on a jaguar
They returned from the ride
with the young girl inside
And the smile on the face of the jaguar
-Anon [The Jaguar Smile, Salman Rushdie]
Saturday, July 04, 2015
Love Calls Us to the Things of This World
The eyes open to a cry of pulleys,
And spirited from sleep, the astounded soul
Hangs for a moment bodiless and simple
As false dawn.
Outside the open window
The morning air is all awash with angels.
Some are in bed-sheets, some are in blouses,
Some are in smocks: but truly there they are.
Now they are rising together in calm swells
Of halcyon feeling, filling whatever they wear
With the deep joy of their impersonal breathing;
Now they are flying in place, conveying
The terrible speed of their omnipresence, moving
And staying like white water; and now of a sudden
They swoon down into so rapt a quiet
That nobody seems to be there.
The soul shrinks
From all that it is about to remember,
From the punctual rape of every blessèd day,
And cries,
“Oh, let there be nothing on earth but laundry,
Nothing but rosy hands in the rising steam
And clear dances done in the sight of heaven.”
Yet, as the sun acknowledges
With a warm look the world’s hunks and colors,
The soul descends once more in bitter love
To accept the waking body, saying now
In a changed voice as the man yawns and rises,
“Bring them down from their ruddy gallows;
Let there be clean linen for the backs of thieves;
Let lovers go fresh and sweet to be undone,
And the heaviest nuns walk in a pure floating
Of dark habits,
keeping their difficult balance."
- Richard Wilbur
And spirited from sleep, the astounded soul
Hangs for a moment bodiless and simple
As false dawn.
Outside the open window
The morning air is all awash with angels.
Some are in bed-sheets, some are in blouses,
Some are in smocks: but truly there they are.
Now they are rising together in calm swells
Of halcyon feeling, filling whatever they wear
With the deep joy of their impersonal breathing;
Now they are flying in place, conveying
The terrible speed of their omnipresence, moving
And staying like white water; and now of a sudden
They swoon down into so rapt a quiet
That nobody seems to be there.
The soul shrinks
From all that it is about to remember,
From the punctual rape of every blessèd day,
And cries,
“Oh, let there be nothing on earth but laundry,
Nothing but rosy hands in the rising steam
And clear dances done in the sight of heaven.”
Yet, as the sun acknowledges
With a warm look the world’s hunks and colors,
The soul descends once more in bitter love
To accept the waking body, saying now
In a changed voice as the man yawns and rises,
“Bring them down from their ruddy gallows;
Let there be clean linen for the backs of thieves;
Let lovers go fresh and sweet to be undone,
And the heaviest nuns walk in a pure floating
Of dark habits,
keeping their difficult balance."
- Richard Wilbur
Wednesday, June 24, 2015
Landscape
Moss of ages by Neha |
Isn't it plain the sheets of moss, except that
they have no tongues, could lecture
all day if they wanted about
spiritual patience? Isn't it clear
the black oaks along the path are standing
as though they were the most fragile of flowers?
Every morning I walk like this around
the pond, thinking: if the doors of my heart
ever close, I am as good as dead.
Every morning, so far, I'm alive. And now
the crows break off from the rest of the darkness
and burst up into the sky—as though
all night they had thought of what they would like
their lives to be, and imagined
their strong, thick wings.
- Mary Oliver
Monday, June 22, 2015
The Unicorn in Captivity
Here sits the Unicorn
In captivity;
His bright invulnerability
Captive at last;
The Chase long past,
Winded and spent,
By the king's spears rent;
Collared and tied
To a pomegranate tree--
Here sits the Unicorn
In captivity,
Yet free.
Here sits the Unicorn;
His over-takelessness
Bound by a circle small
As a maid's embrace;
Ringed by a round corral;
Pinioned in place
By a fence of scarlet rail,
Fragile as a king's crown,
Delicately laid down
Over horn, hoofs, and tail,
As a butterfly net
Is lightly set.
He could leap the corral,
If he rose
To his full height;
He could splinter the fencing light,
With three blows
Of his porcelain hoofs in flight--
If he chose.
He could shatter his prison wall,
Could escape them all--
If he rose,
If he chose.
Here sits the Unicorn;
The wounds in his side
Still bleed
From the huntsmen's spears,
Yet he takes no heed
Of the blood-red tears
On his milk-white hide,
That spring unsealed,
Like flowers that rise
From the velvet field
In which he lies.
Dream wounds, dream ties
Do not bind him there
In a kingdom where
He is unaware
Of his wounds, of his snare.
Here sits the Unicorn;
Head in collar cased,
Like a girdle laced
Round a maiden's waist,
Broidered and buckled wide,
Carelessly tied.
He could slip his head
From the jewelled noose
So lightly tied--
If he tried,
As a maid could loose
The belt from her side;
He could slip the bond
So lightly tied--
If he tried.
Here sits the Unicorn;
Leashed by a chain of gold
To the pomegranate tree.
So light a chain to hold
So fierce a beast;
Delicate as a cross at rest
On a maiden's breast.
He could snap the golden chain
With one toss of his mane,
If he chose to move,
If he chose to prove
His liberty.
But he does not choose
What choice would lose.
He stays, the Unicorn,
In captivity.
In captivity,
Flank, hoofs, and mane--
Yet look again--
His horn is free,
Rising above chain, fence, and tree,
Free hymn of love; His horn
Bursts from his tranquil brow
Like a comet born;
Cleaves like a galley's prow
Into seas untorn;
Springs like a lily, white
From the Earth below;
Spirals, a bird in flight
To a longed-for height;
Or a fountain bright,
Spurting to light
Of early morn--
O luminous horn!
Here sits the Unicorn--
In captivity?
In repose.
Forgotten now the blows
When the huntsmen rose
With their spears; dread sounds
Of the baying hounds,
With their cry for blood;
And the answering flood
In his veins for strife,
Of his rage for life,
In hoofs that plunged,
In horn that lunged.
Forgotten the strife;
Now the need to kill
Has died like fire,
And the need to love
Has replaced desire;
Forgotten now the pain
Of the wounds, the fence, the chain--
Where he sits so still,
Where he waits Thy will.
Quiet, the Unicorn,
In contemplation stilled,
With acceptance filled;
Quiet, save for his horn;
Alive in his horn;
Horizontally,
In captivity;
Perpendicularly,
Free.
As prisoners might,
Looking on a high at night,
From day-close discipline
Of walls and bars,
To night-free infinity
Of sky and stars
Find here felicity;
So is he free--
The Unicorn.
What is liberty?
Here lives the Unicorn,
In captivity,
Free.
The Unicorn in Captivity.
- Anne Morrow Lindbergh
In captivity;
His bright invulnerability
Captive at last;
The Chase long past,
Winded and spent,
By the king's spears rent;
Collared and tied
To a pomegranate tree--
Here sits the Unicorn
In captivity,
Yet free.
Here sits the Unicorn;
His over-takelessness
Bound by a circle small
As a maid's embrace;
Ringed by a round corral;
Pinioned in place
By a fence of scarlet rail,
Fragile as a king's crown,
Delicately laid down
Over horn, hoofs, and tail,
As a butterfly net
Is lightly set.
He could leap the corral,
If he rose
To his full height;
He could splinter the fencing light,
With three blows
Of his porcelain hoofs in flight--
If he chose.
He could shatter his prison wall,
Could escape them all--
If he rose,
If he chose.
Here sits the Unicorn;
The wounds in his side
Still bleed
From the huntsmen's spears,
Yet he takes no heed
Of the blood-red tears
On his milk-white hide,
That spring unsealed,
Like flowers that rise
From the velvet field
In which he lies.
Dream wounds, dream ties
Do not bind him there
In a kingdom where
He is unaware
Of his wounds, of his snare.
Here sits the Unicorn;
Head in collar cased,
Like a girdle laced
Round a maiden's waist,
Broidered and buckled wide,
Carelessly tied.
He could slip his head
From the jewelled noose
So lightly tied--
If he tried,
As a maid could loose
The belt from her side;
He could slip the bond
So lightly tied--
If he tried.
Here sits the Unicorn;
Leashed by a chain of gold
To the pomegranate tree.
So light a chain to hold
So fierce a beast;
Delicate as a cross at rest
On a maiden's breast.
He could snap the golden chain
With one toss of his mane,
If he chose to move,
If he chose to prove
His liberty.
But he does not choose
What choice would lose.
He stays, the Unicorn,
In captivity.
In captivity,
Flank, hoofs, and mane--
Yet look again--
His horn is free,
Rising above chain, fence, and tree,
Free hymn of love; His horn
Bursts from his tranquil brow
Like a comet born;
Cleaves like a galley's prow
Into seas untorn;
Springs like a lily, white
From the Earth below;
Spirals, a bird in flight
To a longed-for height;
Or a fountain bright,
Spurting to light
Of early morn--
O luminous horn!
Here sits the Unicorn--
In captivity?
In repose.
Forgotten now the blows
When the huntsmen rose
With their spears; dread sounds
Of the baying hounds,
With their cry for blood;
And the answering flood
In his veins for strife,
Of his rage for life,
In hoofs that plunged,
In horn that lunged.
Forgotten the strife;
Now the need to kill
Has died like fire,
And the need to love
Has replaced desire;
Forgotten now the pain
Of the wounds, the fence, the chain--
Where he sits so still,
Where he waits Thy will.
Quiet, the Unicorn,
In contemplation stilled,
With acceptance filled;
Quiet, save for his horn;
Alive in his horn;
Horizontally,
In captivity;
Perpendicularly,
Free.
As prisoners might,
Looking on a high at night,
From day-close discipline
Of walls and bars,
To night-free infinity
Of sky and stars
Find here felicity;
So is he free--
The Unicorn.
What is liberty?
Here lives the Unicorn,
In captivity,
Free.
The Unicorn in Captivity.
- Anne Morrow Lindbergh
Sunday, June 14, 2015
The World Is Too Much With Us
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.
- William Wordsworth.
Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.
- William Wordsworth.
Tuesday, June 09, 2015
Vigil
Whom should I turn to,
if not the one whose darkness
is darker than night, the only one
who keeps vigil with no candle,
and is not afraid—
the deep one, whose being I trust,
for it breaks through the earth into trees,
and rises, when I bow my head,
faint as a fragrance from the soil.
- Rainer Maria Rilke
if not the one whose darkness
is darker than night, the only one
who keeps vigil with no candle,
and is not afraid—
the deep one, whose being I trust,
for it breaks through the earth into trees,
and rises, when I bow my head,
faint as a fragrance from the soil.
- Rainer Maria Rilke
Friday, May 29, 2015
Loving Stars
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
- W.H.Auden
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
- W.H.Auden
Sunday, May 17, 2015
A thousand roses, a little water
“People where you live," the little prince said, "grow five thousand roses in one garden... yet they don't find what they're looking for...
They don't find it," I answered.
And yet what they're looking for could be found in a single rose, or a little water..."
Of course," I answered.
And the little prince added, "But eyes are blind. You have to look with the heart.”
― Antoine de Saint-Exupéry, The Little Prince
They don't find it," I answered.
And yet what they're looking for could be found in a single rose, or a little water..."
Of course," I answered.
And the little prince added, "But eyes are blind. You have to look with the heart.”
― Antoine de Saint-Exupéry, The Little Prince
Tuesday, May 12, 2015
Fireflies
When death comes and whispers to me,
“Thy days are ended,”
let me say to him, “I have lived in love
and not in mere time.
…He will ask, “Will thy songs remain?”
I shall say, “I know not, but this I know
that often when I sang I found my eternity.
- Rabindranath Tagore
“Thy days are ended,”
let me say to him, “I have lived in love
and not in mere time.
…He will ask, “Will thy songs remain?”
I shall say, “I know not, but this I know
that often when I sang I found my eternity.
- Rabindranath Tagore
Sunday, May 10, 2015
To Tea Cups
Petal by petal by Neha |
The second cup breaks my loneliness,
The third cup searches my barren entrails but to ,
find therein some five thousand volumes of odd ideographs.
The fourth cup raises a slight perspiration, - all
the wrong of life passes away through my pores.
At the fifth cup I am purified, the sixth cup calls me
to the realms of immortals.
The seventh cup-ah, but I could take no more! I only
feel the breath of cool wind that rises in my sleeves.
Where is Foraosan? Let me ride on this sweet breeze
and waft away thither.
- Lo Tung, Tang Dynasty
Tuesday, April 21, 2015
The Cinnamon Peeler
If I were a cinnamon peeler
I would ride your bed
and leave the yellow bark dust
on your pillow.
Your breasts and shoulders would reek
you could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.
Here on the upper thigh
at this smooth pasture
neighbor to your hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler’s wife.
I could hardly glance at you
before marriage
never touch you
— your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers…
When we swam once
I touched you in water
and our bodies remained free,
you could hold me and be blind of smell.
You climbed the bank and said
this is how you touch other women
the grasscutter’s wife, the lime burner’s daughter.
And you searched your arms
for the missing perfume.
and knew
what good is it
to be the lime burner’s daughter
left with no trace
as if not spoken to in an act of love
as if wounded without the pleasure of scar.
You touched
your belly to my hands
in the dry air and said
I am the cinnamon
peeler’s wife. Smell me.
- Michael Ondaatje
I would ride your bed
and leave the yellow bark dust
on your pillow.
Your breasts and shoulders would reek
you could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.
Here on the upper thigh
at this smooth pasture
neighbor to your hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler’s wife.
I could hardly glance at you
before marriage
never touch you
— your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers…
When we swam once
I touched you in water
and our bodies remained free,
you could hold me and be blind of smell.
You climbed the bank and said
this is how you touch other women
the grasscutter’s wife, the lime burner’s daughter.
And you searched your arms
for the missing perfume.
and knew
what good is it
to be the lime burner’s daughter
left with no trace
as if not spoken to in an act of love
as if wounded without the pleasure of scar.
You touched
your belly to my hands
in the dry air and said
I am the cinnamon
peeler’s wife. Smell me.
- Michael Ondaatje
Friday, April 10, 2015
Journey
Chasing the light by Neha |
what you had to do, and began,
though the voices around you
kept shouting
their bad advice--
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do--
determined to save
the only life you could save.
- Mary Oliver
Sunday, March 15, 2015
Waterlily Fire
Flowers of Fire by Georgia O'Keeffe |
….Whatever can happen to anyone can happen to me.
Fire striking its word among us, waterlilies
Reaching from darkness upward to a sun
Of rebirth, the implacable. And in our myth
The Changing Woman who is still and who offers.
Eyes drinking light, transforming light, this day
That struggles with itself, brings itself to birth.
In ways of being, through silence, sources of light
Arriving behind my eye, a dialogue of light.
And everything a witness of the buried life.
This moment flowing across the sun, this force
Of flowers and voices body in body through space.
The city of endless cycles of the sun.
I speak to you You speak to me
- Muriel Rukeyser
Thursday, March 12, 2015
Symbols
“The craft or art of writing is the clumsy attempt to find symbols for the wordlessness.”
—John Steinbeck
—John Steinbeck
Labels:
Food for thought,
John Steinbeck,
The Paris Review
Thursday, March 05, 2015
Monday, March 02, 2015
Start Close In
Lavender Iris by Georgia O'Keeffe (1951) |
Start close in,
don’t take
the second step
or the third,
start with the first
thing
close in,
the step
you don’t want to take.
Start with
the ground
you know,
the pale ground
beneath your feet,
your own
way to begin
the conversation.
Start with your own
question,
give up on other
people’s questions,
don’t let them
smother something
simple.
To hear
another’s voice,
follow
your own voice,
wait until
that voice
becomes an
intimate
private ear
that can
really listen
to another.
Start right now
take a small step
you can call your own
don’t follow
someone else’s
heroics, be humble
and focused,
start close in,
don’t mistake
that other
for your own.
Start close in,
don’t take
the second step
or the third,
start with the first
thing
close in,
the step
you don’t want to take.
- David Whyte
Saturday, February 28, 2015
The Revolutionists Stop for Orangeade
Red Balloon by Paul Klee |
Capitan profundo, capitan geloso,
Ask us not to sing standing in the sun,
Hairy-backed and hump-armed,
Flat-ribbed and big-bagged.
There is no pith in music
Except in something false.
Bellissimo, pomposo,
Sing a song of serpent-kin,
Necks among the thousand leaves,
Tongues around the fruit.
Sing in clownish boots
Strapped and buckled bright.
Wear the breeches of a mask,
Coat half-flare and half galloon;
Wear a helmet without reason,
Tufted, tilted, twirled, and twisted.
Start the singing in a voice
Rougher than a grinding shale.
Hang a feather by your eye,
Nod and look a little sly.
This must be the vent of pity,
Deeper than a truer ditty
Of the real that wrenches,
Of the quick that's wry.
- Wallace Stevens
Friday, February 06, 2015
Duino Elegies
Who, if I cried out, would hear me among the Angelic
Orders? And even if one were to suddenly
take me to its heart, I would vanish into its
stronger existence. For beauty is nothing but
the beginning of terror, that we are still able to bear,
and we revere it so, because it calmly disdains
to destroy us. Every Angel is terror.
And so I hold myself back and swallow the cry
of a darkened sobbing. Ah, who then can
we make use of? Not Angels: not men,
and the resourceful creatures see clearly
that we are not really at home
in the interpreted world. Perhaps there remains
some tree on a slope, that we can see
again each day: there remains to us yesterday’s street,
and the thinned-out loyalty of a habit
that liked us, and so stayed, and never departed.
Oh, and the night, the night, when the wind full of space
wears out our faces – whom would she not stay for,
the longed-for, gentle, disappointing one, whom the solitary heart
with difficulty stands before. Is she less heavy for lovers?
Ah, they only hide their fate between themselves.
Do you not know yet? Throw the emptiness out of your arms
to add to the spaces we breathe; maybe the birds
will feel the expansion of air, in more intimate flight.
Yes, the Spring-times needed you deeply. Many a star
must have been there for you so you might feel it. A wave
lifted towards you out of the past, or, as you walked
past an open window, a violin
gave of itself. All this was their mission.
But could you handle it? Were you not always,
still, distracted by expectation, as if all you experienced,
like a Beloved, came near to you? (Where could you contain her,
with all the vast strange thoughts in you
going in and out, and often staying the night.)
- Duino Elegies, The First Elegy, Rainer Maria Rilke
Orders? And even if one were to suddenly
take me to its heart, I would vanish into its
stronger existence. For beauty is nothing but
the beginning of terror, that we are still able to bear,
and we revere it so, because it calmly disdains
to destroy us. Every Angel is terror.
And so I hold myself back and swallow the cry
of a darkened sobbing. Ah, who then can
we make use of? Not Angels: not men,
and the resourceful creatures see clearly
that we are not really at home
in the interpreted world. Perhaps there remains
some tree on a slope, that we can see
again each day: there remains to us yesterday’s street,
and the thinned-out loyalty of a habit
that liked us, and so stayed, and never departed.
Oh, and the night, the night, when the wind full of space
wears out our faces – whom would she not stay for,
the longed-for, gentle, disappointing one, whom the solitary heart
with difficulty stands before. Is she less heavy for lovers?
Ah, they only hide their fate between themselves.
Do you not know yet? Throw the emptiness out of your arms
to add to the spaces we breathe; maybe the birds
will feel the expansion of air, in more intimate flight.
Yes, the Spring-times needed you deeply. Many a star
must have been there for you so you might feel it. A wave
lifted towards you out of the past, or, as you walked
past an open window, a violin
gave of itself. All this was their mission.
But could you handle it? Were you not always,
still, distracted by expectation, as if all you experienced,
like a Beloved, came near to you? (Where could you contain her,
with all the vast strange thoughts in you
going in and out, and often staying the night.)
- Duino Elegies, The First Elegy, Rainer Maria Rilke
Tuesday, February 03, 2015
Lightly
A Pair of Leather Clogs by Vincent van Gogh |
Learn to do everything lightly.
Even though you're feeling deeply,
lightly
let things happen, and
lightly
cope with them on tiptoes
and with no luggage,
not even a sponge bag,
completely
unencumbered.
Lightly my darling...
- Aldous Huxley, Island
Monday, February 02, 2015
What Survives
Blue III by Joan Miro |
Who knows, perhaps the flight
of the bird you wound remains,
and perhaps flowers survive
caresses in us, in their ground.
It isn't the gesture that lasts,
but it dresses you again in gold
armor --from breast to knees--
and the battle was so pure
an angel wears it after you.
- Rainer Maria Rilke
Tuesday, January 06, 2015
Koi paar nadi ke gata
bhang nishaa ki neeravta kar
(Breaking the silence of the night)
is dehaati gaane ka swar
(this rural/folk song's notes)
kakdi ke kheto se uthkar, aata jamuna par leharaata
(rising from cucumber's field, wish it came in waves on the river Jamuna)
koi paar nadi ke gaata
(wish someone sang across the river)
honge bhai bandhu nikat hi
(there could be relatives/friends nearby)
kabhi sochte honge ye bhi
(who may also be thinking sometimes)
is tat par bhi koi, uski tano se sukh pata
(somebody on this river bank may also seek solace / happiness from his song/raaga )
koi paar nadi ke gaata
(wish someone sang across the river)
aaj na jaane kyun hota mann
(Don't know why today this mind )
sun kar ye ekaaki gaayan
(after listening to the lonesome song)
sadaa ise main sunta rehta, sadaa ise ye gaata jaata
(always wants to listen to it, always wants to sing it)
koi paar nadi ke gaata
(wish someone sang across the river)
- Harivansh Rai Bachchan
Monday, January 05, 2015
Creation of a Pot
Rabindranath Tagore, Untitled (Striding Bird), 1928. |
bowers and groves, and with
it is the creator:
Within this vessel are the seven oceans
and the unnumbered stars.
The touchstone and the jewel
appraiser
are within;
and within is the eternal soundeth, and
the spring wells up
Kabi says: "Listen to me, my friend!
My beloved lord is within."
- Songs of Kabir, translated by Rabindranath Tagore
Sunday, January 04, 2015
Sobremesa
Hesitantly, surrounded
by the mist that falls from days long gone,
we once more sit down to talk
and can't see each other.
Hesitantly, cut off in the depths of the mist.
On the table the breeze stirs slowly,
As we dream those who are absent draw close.
Leaves where bleak moss has passed long winters
now waken on the table-cloth.
Steam from the coffee cups drifts around us
and in the aroma we see old faces,
once more alive, float past
clouding the mirrors.
Empty chairs set straight
wait for those who, from far off,
will return later on.
We start talking
without seeing each other, without thought of time.
Hesitantly, in the mist
that grows and surrounds us,
we talk for hours without knowing
who is still alive and who is dead.
- Eugenio Montejo, Muerte y Memoria (1972), A Bright Moon For Fools
by the mist that falls from days long gone,
we once more sit down to talk
and can't see each other.
Hesitantly, cut off in the depths of the mist.
On the table the breeze stirs slowly,
As we dream those who are absent draw close.
Leaves where bleak moss has passed long winters
now waken on the table-cloth.
Steam from the coffee cups drifts around us
and in the aroma we see old faces,
once more alive, float past
clouding the mirrors.
Empty chairs set straight
wait for those who, from far off,
will return later on.
We start talking
without seeing each other, without thought of time.
Hesitantly, in the mist
that grows and surrounds us,
we talk for hours without knowing
who is still alive and who is dead.
- Eugenio Montejo, Muerte y Memoria (1972), A Bright Moon For Fools
Subscribe to:
Posts (Atom)